The principal aims of this study are to look at how libraries currently deal with occult collections and as to why such materials are still not widely available to the public through the library system.
Its intent is to cover both historical and current collections, how libraries have dealt with them and on the classification difficulties that arise from such a broad yet relatively untouched subject.
A further section of the dissertation will consider some of the history of occult collections, on where they have gone to, on the changes or lack thereof between then and the present day, and on how some libraries advertise such collections whilst others still hide them away.
Another aspect of the project will discuss some of the issues of censorship and how the occult field is under constant pressure to either remain hidden or to prove its validity and useful. Here, I will also consider some of the current controversies and the librarian’s dilemma.
The majority of the collections that I have been able to access and explore are based in London, or in other parts of the United Kingdom. However, I have also incorporated studies on important collections that are housed overseas.
In addition to both historical and present day collections, a further section looks at the future of the occult collection with regard to online resources and current library-building projects.
The occult, whilst continuing to enjoy a significant growth in interest with the public at large, remains predominantly unchartered territory for the librarian. This study will try to consider and discuss some of the issues that surround this most mysterious of subjects.